A Conjuring of Light

And so it ends. Where A Gathering of Shadows was the bright(ish) interlude, A Conjuring of Light goes dark quick. The magic that killed Black London is free in Red London and trying it’s damnedest to … take over the world? It’s a little unclear. I guess a piece of sentient magic gets a pass on the ‘evil for the sake of being evil’ card.

Characterwise, we don’t really have anyone know, although we get a lot more of Rhy who actually gets to explore being given a literal second chance at life and what it means to be king. Speaking of which, King Maxim and Queen Emira had a lot going for them. I … just wish they were developed a bit more. Rhy’s relationship with Alucard gets a fair bit more time. It’s complicated (in a good way) and well done. I wish them the best.

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A Gathering of Shadows

“Oh yes, your relationship with Miss Bard is positively ordinary.”

“Be quiet.”

“Crossing worlds, killing royals, saving cities. The marks of every good courtship.”

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A Darker Shade of Magic

A Darker Shade of Magic is a surprisingly fantastic book–and I mean that in the true sense of the word fantastic.

The core worldbuilding conceit of the book is that of four parallel worlds, specifically four Londons. Gray London (our London?), a dull world with little to no magic left; Red London, with magic full of life; White London, with a more sharp and controlling feel; and lost Black London. The feel and description of each London really makes the book, with Schwab evoking each London with colors and scents and even feelings. It’s a really interesting take and done rather well.

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