A Darkling Plain (Mortal Engines Quartet #4)

And so it ends. I’ve had some issues with this series (mostly with some of the relationship drama present throughout), but I’m glad I finished it.

Characterwise, I’m not sure I liked what happened to either Tom or Hester. Tom is entirely too naive. Pennyroyal literally shot him–and this is likely to kill him one day. He enslaved Tom’s daughter. And he doesn’t seem to care. He’s good to a fault and it just doesn’t seem real. Hester… is crazy and violent and full of a desire for vengeance and it’s only worse this time around. This time it doesn’t feel unreal–what does that say about me?–but it’s still sad that she ended up this way. Wren and Theo I liked a lot more. I wish they would have spent less time separated nearly missing one another again and again, but it works out.


Predator's Gold (Mortal Engines Quartet #2)

On one hand, Predator’s Gold does a solid job of expanding on what was the best part of Mortal Engines: the world building all around mobile cities that eat one another. We get to see a few more cities–both predators and trading cities–along with more details on airships in this world. But the real worldbuilding gold1 is in the parasites that can attach themselves to cities and steal from them. It really makes the cities feel like gigantic living organisms as much as anything, which I’m sure is Reeve’s intention.

On the other hand, I very nearly put Predator’s Gold down several times during the first half of the book. There’s a rather blatant love triangle between Tom, Hester, and Freya (princess of Anchorage–roving city of the north nearly destroyed by a plague in the recent past). It really doesn’t make much sense given Tom and Hester’s relationship at the end of the first book and drags on way too long. Perhaps that’s what some people read the book for… but it’s really not for me.